Unsettled Ground

Syria & Lebanon
2022

Syria & Lebanon

2022

Destruction does not give a place a settled past. Within the same space, lives not yet realised, lives forcibly interrupted, and lives still unfolding overlap. A building may remain standing, yet its appearance cannot tell us what it has endured, or what continues to take place within it.

To call a place a ruin is often to establish a distance from it. For those who continue to inhabit it, destruction may still shape the conditions of dwelling, the routes a body can take, and the limits of each attempt to begin again. The continuation of life does not consign violence to the past.1

These photographs remain where that distance cannot be secured. Historical remains and present wounds occupy the same surfaces; the order of the image presses against an unresolved reality.2 A frame can give destruction a coherence that life within it does not possess. Photography can hold a form in place. It cannot declare that what it records is over.

An exposed interior opens onto sunlit mountains beneath a damaged ceiling.
01
Women and children occupy a narrow alley beneath hanging fabrics, cables and a portrait.
02
A mattress lies beneath a broken arch opening onto sunlit rocky hills.
03
A man holds two white boxes beside a doorway as another person enters.
04
A detached hand dryer rests among dust and broken glass.
05
A toy horse lies on a floor among a chair, hoses and scattered objects.
06
A pale wall curves across a hillside landscape.
07
Broken concrete and exposed steel frame blue sky and doorways beyond.
08
An open door with a yellow electrical warning partly obscures a debris-filled corridor.
09
Signs and antennas remain above the damaged facade of a building.
10
A stone gateway stands among fallen architectural fragments beneath a wide blue sky.
11
A damaged stone relief stands against a blue wall beside a display case.
12
Window light crosses the floor of a blue gallery beneath damaged ceiling ducts.
13
Empty mounts, numbered markings and pale outlines remain on a blue museum wall.
14

References

  1. Veena Das, Life and Words: Violence and the Descent into the Ordinary. University of California Press.
  2. Sophie Ristelhueber, Fait, 1992. Museum of Modern Art.